* The final four tracks of Calling All Dawns form an amazing suite across four languages and cultures. It’s always filled with joy and constantly reinvents itself.
#Metal slug 3 mission 2 theme piano full#
It doesn’t matter if it’s the original version from Civilization IV, or the album version performed by the Soweto Gospel Choir, or versions by Alex Boyé or Peter Hollens, or Angel City Chorale’s full concert performance, or the Stellenbosch University Choir, or the performance Tin conducted himself at Llangollen. * I’ve listened to so many versions of ”Baba Yetu” over the years that it’s hard to pick a favourite, but that’s also the appeal. Because it would be too hard to pick just one from one of them. But here, in order of appearance, are my six favourite parts.
It’s worth listening through the entire albums, and many of the tracks form a complete movement so that it’s hard to separate them. All three contain some amazing music by a great composer, and while I still prefer the more varied tone of Calling All Dawns and The Drop That Contained The Sea, the last album is constantly growing on me and is even more refined technically.
I’ve written about To Shiver The Sky and the first two previously (in Swedish) and there isn’t much to add. And since I only had the first two downloaded and because they are some of my favourite albums ever, I obviously jumped at the chance to get a signed set. As part of the Kickstarter campaign for To Shiver The Sky, Christopher Tin made a set of all three albums available.
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